Hello friends. One of the things that I love about
Spiderman is that we can still stay up all night discussing random topics. We’ve
done this for years—even before we were married—we would often stay up deep in
conversation in EV Commons until the sun rose.
We once stayed up all night having a marathon of film
versions of Dickens’ A Christmas Carol
and keeping a log about how textually accurate (or inaccurate) they were. We kept
big complicated diagrams and charts about certain passages of prose and how
they were handled in each film. The winner—the film deemed to be the most textually
accurate was The Muppet’s Christmas
Carol.
So, recently we have been watching a marathon of all
the Inspector Morse episodes we own
(which is nearly all of them). This has led us to discuss how Morse in the show
played so beautifully by actor John Thaw as a hard-drinking, opera-loving,
crossword addict grouch is much sanitised from the books. Author Colin Dexter definitely
softened the character who was more patronising to women and obsessed with sex.
He was less likeable in the books. And there were other changes as well. His
sidekick Detective Lewis is Welsh in the books (a fact neither of us
remembered) because we are used to seeing him as Geordie (from Newcastle) actor
Kevin Whately. Sixth Doctor incarnation Colin Baker played him on stage, much
more like the books, and would have been very good at it if you recall his arsehole
version of the Doctor. This really wasn’t Colin Baker’s fault…an actor can only
work with what he was given. But he would have made a wonderful textually
accurate Morse.
This led to discussions about other long running
detective shows where the actor becomes the *true* version and you forget what
he or she was like in the books.
Looking at versions of Sherlock Holmes we both agree that Basil Rathbone is good, but
Jeremy Brett is THE Holmes. He did it the longest and it nearly drove him mad. He
*became* Holmes, which is not a very good thing to do considering who Holmes is—a
drug addict and most certainly bipolar. Brett himself famously battled mental
illness—many of the same demons that plagued Holmes. I have also often thought
Holmes was on the Autistic Spectrum. And while we *adore* the new Sherlock with
Benedict Cumberbatch, they are more a subversion of the genre filled with a
wink and a nod to the original source like cases such as the Speckled Blond
(the Speckled Band) and the Geek Interpreter (the Greek Interpreter). They are
magnificent in themselves, but are not textually accurate.
We got onto Miss
Marple (again…Joan Hickson is
THE definitive Marple) who may not look as the books describe. I have a real
memory of the words “bird like” in one of the books which would suit
fantastic-actress-but-all-wrong-for-the-part of Miss Marple Geraldine MacEwan,
but not Joan Hickson as she was stockier. Also, the character mellowed over time in the books—she was
a right nosy parky and bitchy gossip in the first book The Murder at the Vicarage.
We always just think of her as beloved spinster.
Miss Marple inevitably led us onto Hercule Poirot. Again…many have played
him—some good, some bad—but to us the definitive was David Suchet, who played
him for a quarter of a century. We loved Albert Finney in the 1974 Murder on
the Orient Express. He seemed to capture Poirot’s fastidiousness and vanity. I
*hated* Peter Ustinov even though I adored Death on the Nile (1978) and Evil
Under the Sun (1982). Ustinov was all wrong. He was just playing himself with a
Frenchy accent and his OWN MOUSTACHE.
I am not the only one who thinks this. According to
Wikipedia:
Christie's
daughter Rosalind Hicks observed Ustinov during a
rehearsal and said, "That's not Poirot! He isn't at all like
that!" Ustinov overheard and remarked "He is now!"
This led us into several days discussion about Poirot’s Moustache which is where all
this has been leading.
David Suchet |
Why we loved Suchet’s performance so much was his
attention to detail about Poirot’s appearance and his moustache. In case you don’t
know Poirot was a Belgian refugee who fled to the UK during WWI. In his first
appearance in The Mysterious Affair at Styles his moustache was described as stiff and military owing to the fact
that he was refugee and didn’t have the money for haircare.
Here is where book and video versions start to merge
or separate. Spiderman and I both recall clearly the books talked about Poirot
having little curling tongs to curl the ends of his moustache. We remember a
moustache kit with waxes and oils. We remember his vanity and sleeping with a
moustache guard to keep it in place.
Peter Ustinov |
This is why I hated Peter Ustinov—it was not Poirot’s
moustache—it was just Usinov’s. The moustache was like a separate character to
me. It had a life of its own, like a prissy little hairy friend of Poirot
perched on his upper lip. Ustinov’s has no style. It was also salt and pepper
which annoyed me as I recall Poirot’s vanity where he dyed his moustache and
his hair.
This is where I loved David Suchet. His moustache was
magnificent, prim, prissy, curled, and overly dark. It seemed exactly as Agatha
Christie had written it.
Branagh and the walrus |
When the advert for the new Murder on the Orient
Express came out we fell about laughing. What the hell did Kenneth Branagh have
on his face??? Where did that giant walrus of a moustache come from? Didn’t he
read the book for Frith’s sake??
This is where WE were wrong. We had spent so long looking at David Suchet that we had somehow made his moustache the definitive one.
According to AgathaChristie.com
The
more Poirot became an established private detective, the bigger his trademark
moustache became. By the early 1930s his famous facial hair had evolved from
being stiff and military into a magnificent, luxurious asset which gained much
comment from himself, narrators and other characters within each story.
Throughout Christie’s stories, his moustache was described as ‘gigantic’,
‘immense’ and ‘amazing’, pointing to the importance of this physical asset. By
1934 Poirot himself was described as ‘a little man with enormous moustaches’
in Murder
on the Orient Express. By this point and beyond it was clearly his greatest
physical attribute, being described as ‘an immense moustache’ in The
Labours of Hercules in 1947.
So, why does Kenneth Branagh’s moustache feel so WRONG
to us?
It is just ludicrously large. Branagh defends it in article after article calling on the text to back him up, but I just don’t buy it.
It may be an enormous
moustache, but it is doesn’t seem well cared for or groomed with wax and
oils and it certainly not dyed. The salt and pepper thing he’s got going on
does not work for me—Poirot was too vain for that. In Appointment with Death it
is described as suspiciously black. And what the hell is that little goatee/soul patch thing???? I might could live with the
ridiculous moustache if it weren’t for the unexplained very un-Poirot like tuft
of hair.
What are your views? Have you seen the new Murder on
the Orient Express? Did you want to punch Kenneth Branagh in face throughout
the film?
Who are your favourite versions of literary
detectives?
I leave you with this Tom Gauld cartoon which says it
better than I ever could.
I love this.
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